Tuesday, December 30, 2008

Save The Date: A Tribute to Nana Camille Yarbrough's CORNROWS

The Center for Black Literature at Medgar Evers College, in partnership with AKILA WORKSONGS, Inc., will present a tribute to Nana Camille Yarbrough in recognition of the 30th Anniversary of her landmark book, Cornrows, a Coretta Scott King award-winning children's book.

Internationally respected as a "hip hop foremother," Yarbrough is also a griot/storyteller; soul singer; songwriter; dancer; film, television, and theater actress; television show host; and an community activist. The tribute will feature an up-close-and-personal dialogue between Yarbrough and Dr. Brenda M. Greene, Executive Director of The Center for Black Literature. April R. Silver of AKILA WORKSONGS will host the program.

Time:
6:00 to 7:30pm

Location:
Medgar Evers College
President's Conference Center
1650 Bedford Avenue
Brooklyn, NY 11225

Friday, December 19, 2008

Tulani Kinard at Sistas' Place THIS SAT!

TONIGHT!
Saturday, December 20, 2008
Showtimes at 9:00 pm 10:30 pm

Tulani Kinard
at Sistas' Place
456 Nostrand Avenue
(at Jefferson Avenue)
Brooklyn, NY 11216

By Subway: "A" or "C" train to Nostrand Avenue
(venue is on the corner of Nostrand & Jefferson Ave.,
the entrance is on Jefferson)


Tulani Kinard is a vocalist/composer, author, cultural activist, and motivational speaker. A former member of the GRAMMY-award-winning a cappella ensemble Sweet Honey In The Rock, Tulani's musical influences include many genres including jazz, folk, gospel, R&B, traditional African songs, and spoken word.

With her highly acclaimed CD Expressions of My Mind, Kinard has created a musical genre called empowerment music. She has performed on The Oprah Winfrey Show, composed the theme song You've Got the Power for the ABC talk show Iyanla, and is committed to empowering our lives through music.

For more information and for reservations, call 718.398.1766 or visit www.sistasplace.org. Don't miss it!

Finding Our Folk and The Fyre Youth Squad Throw a Community Concert / Film Screening

FILMMAKERS, MUSICIANS, & POETS
REMEMBER “LANDMARK” DECISION

Finding Our Folk and The Fyre Youth Squad throw a community concert and film screening a year to the day of the “landmark” decision to clear-cut public housing in New Orleans.

D20 Blowout Consciousness celebrates the resilience of the people and culture of New Orleans featuring the creative spirit of local youth. Amid photographs by Through The Youth Lens, young spoken word artists will “bless the mic” while, the next generation of brass, The Big 7 & The Trendsetters, blow it out! The evening’s program will frame the youth with two local award-winners: Cut Off: It’s Not About The Buildings. It’s About The People (documentary, 45 minutes) and a performance by the legendary Hot 8 Brass Band. In New Orleans fashion, there will be good food & plenty of discussion.

The event is free and open to the people!

WHEN
THIS SATURDAY!
DECEMBER 20, 2008

TIME
6:00 pm

WHERE
ASHE CULTURAL ARTS CENTER
1724 ORETHA CASTLE HALEY BOULEVARD
NEW ORLEANS, LA
504.569.9070


Please direct all media inquiries to:
Broderick Webb at brod11mind@hotmail.com ~ 504.655.2003
Mike Molina at emailmikemolina@gmail.com ~ 510.717.5682

Thursday, December 18, 2008

The Ossie Davis Call to Action for Education












December 2008


Dear Friends,

The “call for change” is sweeping the nation. However, it was not long ago when the “call for change” was not so popular. Many who answered the call never knew if they would live to see the change they envisioned. Perhaps it was "the struggle” that allowed many of these now living legends to realize this historic moment and the harvest they sowed over 40 years ago. Yet when a living legend dies, the call goes out once again and it’s time to sow new seeds.

Ossie Davis is such a legend, whose passing in 2005 left a tremendous void. He was an artist and activist who knew the value of answering the call for change. He and many others like him sowed the seeds for the change that the American people are now making a reality. To celebrate his legacy, the Ossie Davis Endowment was established to support African American students who demonstrate a commitment to use their careers as vehicles of activism to assure equal justice and opportunity, as Mr. Davis did.

“Ossie Davis was one of my dearest friends. I think the idea of the endowment in his name is an excellent endeavor to not only have a living memorial to him, but to carry on his legacy.”

- Harry Belafonte
Actor and Activist

Harry Belafonte on Ossie Davis Scholars...LISTEN NOW!

We welcome you and invite you to support this work with your symbolic contribution of $10.00. Please make a contribution today!

For even more information, please visit our official website at www.ossiedavisendowment.com.


Sincerely,

Sonya White
Executive Director
Ossie Davis Endowment

Monday, December 15, 2008

THIS SAT: Sweet Honey in the Rock at NJPAC!

Sweet Honey
In The Rock®
Saturday, Dec 20 at 8:00

This season, join us as we celebrate the 35th Anniversary of Sweet Honey In The Rock! This African-American, female a cappella ensemble is devoted to the sacred music of the Black church—spirituals, hymns and gospel—as well as jazz and blues. Powerful vocals and hand percussion instruments are blended with moving lyrics, movement and narrative, all accompanied by simultaneous interpretation in American Sign Language.

The members of Sweet Honey In The Rock are Ysaye Maria Barnwell, Nitanju Bolade Casel, Aisha Kahlil, Carol Maillard, Louise Robinson, and Shirley Childress Saxton (American Sign Language Interpreter)

For sponsor credits and more information, visit njpac.org or call 1-888-GO-NJPAC
NJPAC is located at One Center Street, Newark, NJ

Thursday, December 11, 2008

Cornel West

An Evening Lecture
and Booksigning
with CORNEL WEST

As we approach an economic, social and spiritual crossroads, the next chapter of the epic American story is about to be written. Can we muster the courage for critical self-examination and the strength to leave behind our collective adolescence and outgrow our homogenized civilization? Reflecting on the themes of his new book, Hope on a Tightrope, Cornel West, one of the nation’s most provocative and important public intellectuals, invites us to examine these questions in our hearts, minds and souls, and asks each of us to honestly confront the depth of our love and the quality of our service.

The quest for unarmed truth and unconditional love is inseparable from the battle for freedom, he asserts, and he comes to ask us if we are ready to become real freedom fighters. Don’t miss this extraordinarily eloquent, stimulating, challenging and inspiring thinker.

The New York Open Center
welcomes...

Saturday, December 6, 2008

BAF at Eso Won Books (Los Angeles)

Join Us
FRIDAY, DECEMBER 12, 2008
Eso Won Books
4331 Degnan Boulevard
Los Angeles, CA 90008 (Lemerit Park)

"Be a Father" contributing writers
LASANA HOTEP • MO BEASLEY
and editor April R. Silver
bring their family & fatherhood stories
to an open community forum at ESO WON

Program Moderated by CHRIS CATHCART
author of The Lost Art of Giving Back

"Barack, Maya and Me" by Dr. Brenda Greene

I'd like to introduce (or re-introduce) you to Dr. Brenda M. Greene. She is a friend, mentor, and one of the most intelligent thinkers and certainly one of the hardest working individuals I know. In a relationship that has only existed for six years, I have come to admire her for her laser focus on using the literary arts as a means for self-discovery and community empowerment. In her work, she is fearless and uncommonly courageous. I have rarely met women of her generation who understand the essence and relevance of hip hop culture, let alone who work to incorporate it in the classroom. Beyond that, Dr. Greene is probably one of the country's most steadfast advocates for Black literature, primarily evidenced in the national black writers conferences and forums that she executive produces every year.

In a casual conversation last month, she and I were discussing the election and the upcoming Obama presidency. She mentioned that, years ago, when she taught at New York Univerisity, she has a young woman in her class named Maya Soetoro. Little did Dr. Greene know, Maya would later become "The First Sister," if you will.

After listening to her story, I went in for the pitch and convinced Dr. Greene to share ther encounter with a broader audience. She has graciously allowed Put On BLAST!™ to publish it here. We do so with great excitement.

To learn more about Dr. Greene, the Center for Black Literature at Medgar Evers College/CUNY, and the National Black Writers Conference, please click HERE.

Please read on. The story is wonderul insight into how were are all connected - sometimes in the most interesting ways.

ars.
April R. Silver
AKILA WORKSONGS, Inc.


Barack, Maya and Me: Coincidence or Synchronicity?
by Brenda M. Greene



She was the embodiment of intellectual curiosity, an enlightened spirit and voice in my course on Pluralistic Approaches to Cultural Literacy, a graduate seminar for pre-service and in-service teachers that I taught at NYU some years ago. Maya Soetoro-Ng, the sister of Barack Obama, is the person to whom I am referring. Her voice was that of the reflective practitioner, continually involved in critical inquiry, challenging the assumptions of the many people we were reading, and helping to broaden and deepen our discussion around issues of race, class, gender, and ethnicity.

My goal in this seminar was to provide students with a framework and pedagogy for examining and discussing issues related to multiculturalism in their classrooms, to set a stage for an examination of texts outside the traditional canon and to determine effective ways to incorporate these texts into the curriculum. This was on the brink of the cultural wars and I reasoned that before we discussed pedagogy, we needed to educate ourselves about the issues.

Maya was a catalyst for much of our class discussion. She had a definite presence. Initially I thought she was Latino. Her thick, long dark hair and lightly shaded skin tone revealed that she was mixed, and her low, husky voice had an accent I could not place. When I found out that she had grown up in Indonesia as well as Hawaii, I understood my inability to locate her accent and to place her origins. When she spoke, all stopped and listened. for her stories symbolized the “other”, among a group of students who were the “other” in their predominantly African American and Latino urban classrooms where they taught or were assigned to do student teaching . Most of the teachers and student teachers in that class had come from outside of New York City and were experiencing the challenges of teaching in low income urban schools for the first time in their lives.

Maya continually shared the ways in which her educational and life experiences had embodied aspects of the conflicts, policies and concerns we raised. She had witnessed at a young age, political repression, governmental raids and fear for her life and the life of her family. She knew what it was like to live in a “war zone” and to be surrounded by ethnic, religious and political conflict. As we read many texts and discussed how to use literary and nonfiction texts to teach the conflicts, how to get our students to uncover assumptions and discover what was not being said, and how to fill in the voids that had been left out of the textbooks and novels students were reading, I can still hear Maya’s deep resounding voice providing us with a perspective of someone who had an insider’s and outsider’s view of our educational system. Her years in Indonesia had made her astutely aware of the need to create safe places for people to resolve their conflicts.

What also stands out clearly for me is Maya’s continual reference to her brother. She was extremely proud of him and she felt that our work and world view were on the same plane and that we should connect in some way. She really wanted me to meet him and would talk about how her brother would be stimulated by the discussions and debates that we were having in our seminar and how his work embodied many of the issues that we were exploring. In her view, his vision and work were in sync with what we articulated was necessary to diversify and expand the curriculum. He would appreciate the need to rethink our curriculum and to make sure that under-represented voices were included. He would understand our need to establish a new canon of literary texts that was broader, richer and deepened by the inclusion of new voices, a canon that did not exclude but brought differing views into contact with each other. He, Barack Obama, was someone who would embrace the diverse ideas and viewpoints we raised in our class discussions.

As I now reflect on the power and value of that seminar, it is very apparent that our dialogue, debate, and talks symbolized many of the principles on which Obama has based his vision. We began our class with honest and in-depth discussions of what it meant to be an American, and how our understanding of what this meant was both shaped and limited by our experiences, our perceptions, our stereotypes, our prejudices and by the fact that racism was socially constructed and did exist. Some realized that their perceptions of what it meant to be an American were very narrow and that when they thought of an American they immediately thought of a white person. They relegated persons of color to the margins, for in their view these persons were in the minority and did not represent the “true American.”

Barack Obama’s ascendancy to President-elect has redefined for many what it means to be an American. No one can deny the historical significance and impact of his Presidential election to this nation and the world. His talk on race underscored the fact that this is still an issue which must be addressed; it has not gone away with his election to the Presidency. All of America has had to readjust their notions of the American presidency on a national as well as global level. He has highlighted the need for having conversations with those who have differing views, the need to be respectful to others, and the need to engage leaders of diverse ideologies, religions, politics and worldviews in policy and solution based discussions that will benefit the entire world.

When I met Maya, little did I know how the ideals and views that we discussed and raised would be actualized on such a grand political scale. While we were exploring ways to make our curriculum and pedagogy more pluralistic and our literary texts more diverse, Barack Obama was charting a course that would represent the manifestation of pluralism on the national and world stage from political, social and cultural perspectives. Our class discussions were a foreshadowing of what could occur if we made conscious efforts to have transparent discussions on race, ethnicity, and pluralism with those who were teaching our students. Maya’s contribution was indeed a catalyst for this.

So I ask, coincidence or synchronicity. Maya had told me his name but it did not register at that time; I knew that the man whom she spoke of was doing important work and I admired that he was engaged in raising issues of pluralism and diversity. When Barack Obama spoke at the 2004 Democratic National Convention, a former student of mine called and asked me if I had remembered Maya. “Of course.” I said. “I had always wondered what had happened to her for she had such a presence and had really helped to make the class a site of intellectual inquiry.” My student replied that Barack Obama was Maya’s brother. And I thought to myself, so he is the young man whom Maya always spoke of; he is the one whom she wanted me to meet.

Obama had first entered my life through Maya. His presence was a quiet force in the background and his vision reinforced the goals we wanted to achieve in Pluralistic Approaches to Cultural Literacy. I believe in synchronicity rather than coincidence. The divine plan was in order and although he and I never met, I was given an opportunity to meet this man vicariously. Barack’s spirit, through his sister, infused our class discussions with a highly intense energy level.

In addition to observing Obama’s inspirational ascendancy to the Presidency of one of the most powerful countries in the world, I have experienced the impact that Barack and his message have had through my sons, Jamal Kwame Greene, a professor in constitutional law, who has been so supportive of him that he went to Iowa, Philadelphia and Ohio to work on his campaigns and my son Talib Kweli Greene, a hip hop artist, who after being disillusioned by politicians and politics over the last eight years, was inspired to compose lyrics that would garner support for him. In an age that can predict the statistics of how many black men will end up in prison by looking at the income level and age of children in the third grade, the symbol that Barack Obama’s Presidency has provided to young men in our country is invaluable. Young black men such as Jamal and Talib, have not only been a witness to the fulfillment of a vision and dream by those black people and civil rights leaders who laid the path for this event to occur, their children and young black men now have the opportunity to realize their dreams through expanded life choices.

The spirit and vision of Barack Obama have thus touched my life on several levels. As we move along our journey through life, our memories converge to create a history of our life on this planet. I accept and truly value the history created by the memory of Barack, Maya and me.

--
Brenda M. Greene, Ph.D. is Professor of English and Executive Director of the Center for Black Literature at Medgar Evers College of the City University of New York.

Thursday, December 4, 2008

Odetta

FROM December 2, 2008

Dear POB! Family,

I'm sorry to share this news: Odetta, respected around the world as the "voice of the civil rights movement," has passed. Sonya White was the first person that I know of who shared the news that Odetta was in the hospital (that was a few weeks ago). Around 2 am this morning, Sonya sent word that Odetta had passed Tuesday night.

I've spent the last two hours reflecting on and listening to the words and music of this wonderful woman. I also watched the New York Times' THE LAST WORD, a 20 minute video interview. There, Odetta re-affirms, in a profound and intimate way, the importance of allowing music to be more than entertainment.

Odetta is not "a long way from home" now. May The Creator bless this great woman's journey during her transition.

~ april

Tuesday, December 2, 2008

Ronald K. Brown/Evidence at NJPAC








For sponsor credits and more information, visit njpac.org or call 1-888-GO-NJPAC. NJPAC is located at One Center Street, Newark, NJ
















Ronald K. Brown/Evidence
Saturday, Dec 6 at 7:30
Sunday, Dec 7 at 3:00

Choreographer Ronald K. Brown and his company, Evidence, are renowned for using a wide variety of dance forms—ranging from African to modern, ballet, and hip-hop—to reveal stories about the human experience. Here, they perform a new work, commissioned by NJPAC, entitled Two-Year-Old Gentleman, developed around the stories that grandfathers pass on to future generations. An NJPAC Alternate Routes event.

This event was selected by the New Jersey State Council on the Arts as part of the American Masterpieces Series in New Jersey. American Masterpieces is a program of the National Endowment for the Arts.
Program:
One Shot (first act)
Two-Year-Old Gentlemen (World Premiere)
Ife/My Heart (solo)

My Letter to the President Will Have to Wait

My Letter to the President
Will Have to Wait
by April R. Silver
November 5, 2008


"Let's just remember and remember and remember black love. There must be something inherently right about that." - - - “Hot Beverage in Winter” by Ras Baraka featuring Lauryn Hill (Shorty for Mayor CD, 1998)



Early this morning, Barack Obama gave his acceptance speech as President Elect of the United States of America. No one can fully comprehend the depth and scope of this in just the first few hours of this new day. Everything is surreal and I am simultaneously concerned and excited. In all my natural leanings toward wanting to be objective and sober, I could not help but give in to the emotional weight of the moment.

“The day after the revolution is the hardest part of the work.” I heard this first during my student activist days at Howard University. Who will stay to do the work when the euphoria subsides? Will the electorate’s perseverance match our passion? And would an Obama administration do all the things that Obama would lead us to believe it can do? These and other critical questions are crashing around in my head, but I will save my “Dear, Mr. President” letter for another time. Even in these moments after the speech, I am moved by something that is less political…something right beneath the surface of this historic moment: the Michelle and Barack black-on-black love story. I have been checking them out, as a couple, since 2004 and today my delight with Michelle and Barack is unspeakable. In fact, I think their black-on-black love story is as powerful and enduring a message as any ground-breaking political symbol that this election represents.

While high profile marriages often seem manufactured and obligatory (I certainly thought that of John and Cindy, and even Bill and Hilary); I don’t get that from Michelle and Barack. I see a sincere relationship handled with loving affection. Whenever they are together, even in front of thousands of people, don’t you get the feeling that you’re getting a glimpse of some coded language between two lovers on the move? The inter-locked fingers while hand-holding; the tug on the waist just a little below the belt; the knowing stare into each others’ eyes; Michelle’s tendency to lean gently on Barack’s face…eyes closed, savoring; the whispering in each other’s ears; or the now infamous “pound” (known to outsiders as the "fist-bump" or the "terrorist jab"). I guarantee my weight in gold that most women - regardless of race - have noticed these things. And I double guarantee that Black women have talked about these nuances longer than any group.

Like most Black women in my circle - straight and lesbian - I am absolutely giddy that Obama is partnered with a Black woman (of the browner hue, too!). That Michelle epitomizes strength and intelligence is heavenly. I’m sure my mild obsession with this power couple has something to do with my current station as a 40 year old whose love life sounds less like “Yes, we can!” and more like "Oh no he didn’t!” But an appreciation of the whole “Michelle Factor” in this presidential election is probably heralded most by Black women because we know something about the pain that comes from being rejected by Black men. For us, Michelle and her marriage run counter to the notion that it is okay for Black men (or anyone) to disregard, betray, con, or abuse us (or any woman, for that matter). On the contrary, their marriage shows us one more Black woman who is loved, respected, adored, and affirmed as a partner. That opportunity does not come often enough. So we are happy for Michelle, living vicariously through her, hoping to duplicate our own version of her good fortune. We know that there is something inherently right about Black love. With Michelle helping to bring that to the White House, backed with a Stevie Wonder soundtrack, well Good God! It’s barely believable. Dare we conjure up what that could mean for the relationships in our homes, in our communities?

I have no illusions that the Obamas’ union is perfect, but I know a love balance when I see one. The Obamas may not intend for their partnership to have a positive affect on Black families, but we know that it will. In all their requirements to be general and all-inclusive as they transform into the President and First Lady of the United States of America, they can’t hide their own happy love affair…and that’s a good thing! If this black-on-black love affair with Michelle is the only signal that comes from Barack that let’s African Americans know that he “sees” us, then I’ll take it! His choice of Michelle as his wife and his affection towards her seems to suggest a great deal about him, who he can relate to, and in whose arms he feels safe. That is more powerful than any words he can say.


About April R. Silver

April R. Silver is a nationally respected social entrepreneur, writer, and activist. She is also the editor of the critically acclaimed anthology Be a Father to Your Child: Real Talk from Black Men on Family, Love, and Fatherhood (Soft Skull Press). She founded AKILA WORKSONGS in 1993 - a leading communications agency that services artists, activists, advocates, and various institutions.

Silver received a Bachelor of Arts in English from Howard University. There, she helped lead the historic student protest of 1989. During her term, Silver also doubled as the founding president of The Cultural Initiative, Inc. (CI) and co-produced the nation's first hip hop conference. The groundbreaking annual event also ignited long-lasting changes in the positioning of hip hop within academia.

An active volunteer, Silver has or continues to serve on many boards and honorary committees, including the International African Arts Festival and the historic Hip Hop Nation exhibit at the Brooklyn Museum. She also founded the artist-activist organization Co-Motion (in response to NYPD’s brutal killing of Amadou Diallo) and co-founded HipHop Speaks! (townhall meetings and performance showcases conceived by Kevin Powell). Ms. Silver has lectured, moderated, or facilitated workshops at over two hundred public schools, colleges, universities, and conferences across the country.

Her business leadership has bought her to the front cover of Network Journal and to the attention Essence, where she was profiled in 2002. She has also been featured, profiled, or quoted in or on CNN, BET News, Time Magazine, Newsweek, The Washington Post, The Washington Times, Ebony, Ms. Magazine. NY1 News, and many other local and national outlets. Internationally, she has appeared in ADLIB and Black Music Review (Japan), Black Echoes (London), and on Radio Netherlands.

--
For speaking engagements, contact Drake R. Holliday at drake@akilaworksongs.com or call 718.756.8501. Visit the website at www.akilaworksongs.com or Facebook.com